
Cover art by Amelie Vorchheimer (@swayingelegantly)
Digital Issue 1
This issue of Visible Ink was put together by people who have no idea how they managed to find the time. Words were mulled over, sentences were rearranged, then rearranged again, between bouts of frustration, hunger, looming due dates, exhaustion and general malcontent.
But our team did it anyway. Not because they had to, and not necessarily because they wanted to, but because they are writers, poets, editors, designers and, crucially, members of a community that has fostered in them a belief that they can.
They can, and they did.
Art is the world we make from borrowed time, and when we come together, it feels like we’ve got all the time in the world.
Congratulations to all the good folks behind the scenes who made this achievement possible. There are names and faces involved that you may never recognise, but that won’t have stopped them from changing your life anyway.
Most importantly, congratulations to Editors-in-Chief Sophie Chan and Joyce Protacio, whose tireless work in the background have put them at the forefront of our community.
Introduction by Micky Nguyen-Huynh
Fiction
Figure 1: my wallet. Peeling navy pleather, scratched and scuffed by years of being handled. Inside, my cards and coins are stashed, and a single stick of spearmint gum. I still carry around the black and white photo strip we took in the city, the summer before we started our final year of school. I don’t even have to look at the photos, folded neatly between my ID and myki, to feel that moment all over again.
My therapist said I should write my mother a letter. A letter to say thank you, go fuck yourself and I love you – not necessarily in that order but that’s the gist of the assignment.
So here I am, Friday night, alone. I open a bottle of red wine. I don’t particularly care for the taste, but it will ease my irritation. I drink because my therapist told me to write my mother a letter.
Keith stood in the doorway of his old bedroom. All was quiet, except for the synthetic-blend carpet, which was loud and proud in both colour and pattern.
It was brighter in the corners where the furniture used to be, a little flattened and faded elsewhere.
The place where they brought him back to life was worse than the place where he almost died.
At first, the hospital seemed safe and clean. Everything in it was made of rounded pastel plastic, like a kindergarten scaled up to adult size. But David’s perceptions had sharpened in the jungle, and he could smell hidden decay. Bodies.
Iris fumbles with the clasp of her handbag and rummages inside. She pauses, adjusting her bifocals to inspect the contents – coral-pink lipstick, embroidered handkerchief, keys for the Corolla and the house, bankbook and purse. Her fingers land on a shopping list, neat cursive script outlining the week's errands. There’s a quickening of her heartbeat in anticipation.
Flash Fiction
Underneath my body, the pointless brushstrokes grind against the ice, staining it red and blue. As I careen down the slope, the canvas transforms into something more beautiful than the dead artist could have ever imagined.
Not that it means much anymore. Especially in this country. All the great paintings have already been ridden.
I’d had two coffees by the time we boarded at seven in the morning, so I was ready for a conversation. Talkative, I am, but not too fond of the sound of my own voice, mind. People are interesting, and I like to lend an ear. Just that. I adjusted the heavy backpack on my shoulder, handed my ticket to the attendant at the door and stepped aboard.
When Alexandra turned four, her mother gave her a thumb-sized ceramic swan. Alexandra’s mother had found it folded within a pink chenille bedspread whilst cleaning out her own mother’s linen cupboard. The swan – Cygnus cygnus, the common swan – had a long, snaking neck and wings held aloft as though in mid-flight. Its glazed flank shone pearlescent when tilted toward the light.
Rob pressed his palm against the mattress at the behest of the assistant store manager. Her exact words had been, ‘Have a go. See how it feels.’ Rob’s eyes had faltered on her name tag as he leaned over the mattress with an outstretched hand. The small yellow plate fastened above the assistant manager’s left breast was embossed with black print. Her name was Stella.
I sat in the back of the cop car, hands cuffed. Clowns to the left of me, jokers to the right. We'd been caught honkin’ again. The officers drove off, heading to the circus court tent. The ringmaster was sitting inside, the squeaky gavel in his hand and the lion jumping back and forth through the flaming ring behind him.
Poetry
I’ve always been encouraged, / DANCE! / Why? And for who? Is there anything to dance for? / I heard the magpies singing, early AM hours; it must be spring again.
A droning like miniature chainsaws / Is it the solar converter? /
No, it’s bees in the maple / A great disruption is coming
There was this light in her eyes as she said it, / ‘As a kid, I remember finding out deserts are cold places.’
Her eye rolls / to the limit of the / socket. A curl kisses / the slope of her / brow. Bernini’s too / smoothed it so / that the museum / lights give it the sheen/ of a peeled egg. I tumble
There are no lemons here like in the cartoons. / But Old Orange Tree sits out the back, surrounded / by knee-high grass, tins – we think it’s perfect.
Creative Nonfiction
The crown of my head rises toward the heavens, bungee-spine releases, tailbone tucks under. One heel fits snugly into the other foot’s arch. Arms drift to breast level, the right curved, the left as if I’ve flicked a handkerchief. A foot slides out, then to the back, and anchors as my knees bend. Balanced torso – perfect prep – push off the back foot – arms whip – body revolves –
WHAM! SPLAT!
Another failed pirouette.
During summer, the city traps the warmth, it holds it; the concrete whispers, tickling you with its hot, sour breath, a heatwave halitosis. Light lingers, and we await the sweet relief of night. In winter we demand summer back; ice radiates off glass doors and metal railings, and the cold corners of streets where gale-force winds break against you. People pat their pockets, checking Mother Nature hasn’t mugged them; note to self, stand behind someone when possible.
My father is a lawyer. As a child I’d try to heft his legal tomes over my head, small arms trembling. The walls of text swarming his desk, his computer screen, were impenetrable to me. To be a lawyer seemed the most tedious job in existence, synonymous with my dreaded notions of adulthood; a world cast in shades of grey. I swore over the kitchen table never to be shunted away behind a desk, under fluorescent lights. I was to be an artist, a writer, and I wandered through my childhood in a dream world, singing softly.
‘You’re wrong, you moron. Check the numbers again.’
I gaped at the budget spreadsheet, a mess of numbers swimming before tear-brimmed eyes. Blinking rapidly to clear my vision, I checked the entries and equations.
‘Well, we’re fucked. Great work, Grace. You’ve really screwed us this time. You are so stupid. Well done.’
My black suitcase came around the corner of the baggage carousel slumped on its side. I was in yet another new place. Yet another new start.
It was the middle of winter and Taipei looked grey. I’d been living in Korea. Before that Amsterdam. Leaving had been imprinted on my soul, though I didn’t begin life like that. After my family’s migration when I was young – from one side of the globe to the other, turning my world on its head – leaving became my go-to when things got tough. By the time I arrived in Taiwan, the number of homes and locales I’d known had frazzled my brain, and my energy for this way of life was waning.
Thank you to the 2024 Visible Ink team
Executive Committee
Sophia Chan (Editor-in-Chief/Project Manager)
Michelle Anderson (Treasurer)
Michael Nguyen-Huynh (Project Advisor)
Rowan Williams
Christine Bayley
Talisha Ohanessian
Otto Riddell
Lydia Schofield
Melissa Reed
Editors
Joyce Protacio (Editor-in-Chief)
Amanda Holder
Jihan Mirza
Amber Hall
Katya Dugec
Madeline McFarlane
Submissions Team
Edwina Berry
Maz Blanch
Matt Freeman
Mason Henshall
Communications Team
Sara Oliver (Communications Lead)
Chloe Wilkins
Shae Lynn Shu Juan Quek
Events & Community Team
Claire Jenkins
Jade Nie
Ayah El-Hussein
Design Team
Amelie Vorchheimer (Art)
Wen Yee Ang (Web/Branding)
RMIT Professional Writing and Editing Staff Advisors
Yannick Thoraval
Louisa Syme
Dzintra Boyd
Sarah Vincent
John Reeves
